HANS KR. BUKHOLM is an award-winning cinematographer based in Bergen, Norway. His primary field of work has been the making of documentary films, as well as that of art short films. He is the scriptwriter, producer, cinematographer and director of several documentaries made for NRK (Norwegian State Broadcasting) and others.
Having a long-standing interest in large format motion picture film, Bukholm has also developed his own technologies in this field. His own system for production of 35mm anamorphic scope and 65/70mm film has been credited as «HKB-Scope» and «HKB-65/70» on several feature and short films.
Hans Kr. Bukholm has been the recipient of several film awards abroad. He has been awarded with «Best cinematography» accolades from film festivals in Italy and the United States.
Over the years, Bukholm has developed a passion for the preservation of Western Norwegian maritime culture and traditions. His own contribution to this field consists of the documentation of crafts, interviews with senior craftspersons, as well as systematic photographic documentation of human settlements and maritime culture dating back to the Viking age.
In 2007, Hans Kr. Bukholm was awarded the title of Government Grant Holder by the Parliament of Norway.
Hans Kr. Bukholm shooting in 65/70mm on the Norwegian west coast 2016.
Collaboration partners:
Andreas Næs, editor / colorist
Emil Stang Lund, production consultant
Carl E. Johannesen, production- and editing consultant
Helge Sunde, photographer / advisor
Ragnar Bjerkreim, composer / music consultant
Jan Erik Paulsrud, editing consultant
Steinar Vatne / Signar Kristoffersen, technical advisor camera equipment modifications
Eirik Vie, language consultant
Hans Elias Bukholm Josephsen, digital consultant
EQUIPMENT
Bergen Filmutvikling own 16 mm, 35 mm, 65/70 mm motion picture camera equipment, in addition to 4K digital equipment. Our scope lenses, to be used with our 35 mm film and 4K digital cameras, were modified in-house for SFX-cinematography. We have also developed our own equipment for dolly camera shots, time lapse cinematography in 65/70 mm, as well as a rig for aerial filming. The «Clear Screen» device, originally developed by Freddie Young to be used during the shooting of “Ryans Daughter” in 1970, is another technology we have built. It enables shooting in maritime surroundings, where airborne water droplets would otherwise obstruct the shooting. (The above-mentioned equipment has been designed and built primarily for our own use.)