1972
«Buck Van Raa» (Buck van Raa – tidsbilde fra et handelssted)
Photo: Hans Kr. Bukholm.
16 mm colour and B/W, 25 minutes. Documentary.
Writer, producer, director, cinematography and editing: Hans Kr. Bukholm.
Bergen filmutvikling / Film Development Bergen.
1977
«Graveyard By The Sea» (Kirkegården ved havet)
Frame enlargement from the film. Photo: Hans Kr. Bukholm.
35 mm colour, widescreen, 11 minutes. Short film.
Scriptwriter, producer, cinematography, optical SFX and editing: Hans Kr. Bukholm.
Bergen filmutvikling / Film Development Bergen and Studieavdeling Norsk Film AS.
1979
«The Last of the Vikings – 90 Years On» (Den siste viking – 90 år etter)
Photo: Hans Kr. Bukholm.
16mm colour, 30 minutes. Documentary.
Producer, director, cinematography and editing: Hans Kr. Bukholm.
Produced by Bergen filmutvikling / Film Development Bergen for NRK (Norwegian State Broadcasting).
1980
«The Potato Fairway from Fitjar to Bergen» (Potetføringen fra Fitjar til Bergen)
Photo: Helge Sunde.
16mm colour / B&W, 40 minutes. Documentary.
Idea, research, script, commentary and director: Hans Kr. Bukholm.
Cinematography: Ole Fretheim / Hans Kr. Bukholm. Bergen filmutvikling / Film Development Bergen and NRK (Norwegian State Broadcasting).
1986
«SKIN» (Hud)
Optical SFX 35mm frame enlargement from the film. Photo: Hans Kr. Bukholm. 35mm colour, widescreen. Feature film.
Second unit cinematography and optical SFX: Hans Kr. Bukholm.
Director: Vibeke Løkkeberg.
1990
«Wings Of The Dragon» (Dragens vinger)
Photo: Hans Kr. Bukholm.
16mm colour, 50 minutes. Documentary.
Script, cinematography, direction and commentary: Hans Kr. Bukholm.
Editing: Jan Erik Paulsrud. Produced by Hans Kr. Bukholm for NRK
(Norwegian State Broadcasting).
«BAT WINGS» (Flaggermusvinger)
Shooting mountain sequence for Bat Wings. Hans Kr. Bukholm and director Emil Stang Lund.
35mm Panavision, 1 hour 30 minutes. Feature film consisting of three short films based upon short stories by the Norwegian writer Hans E. Kinck.
Director: Emil Stang Lund.
«White Anemone in the Outfield» (Kvitsymre i utslåtten)
35mm frame enlargement from the film. Photo: Hans Kr. Bukholm.
Second unit cinematography and optical SFX: Hans Kr. Bukholm.
Director: Emil Stang Lund. Optical system: Panavision and HKB-scope.
1992
«Fiddle in the Wild Forest» (Felen i ville skogen)
35mm frame enlargement from the film. Photo: Hans Kr. Bukholm.
Optical SFX 35mm frame enlargement from the film. Photo: Hans Kr. Bukholm.
Second unit cinematography, director of photography on selected exterior sequences and optical SFX: Hans Kr. Bukholm.
Director: Emil Stang Lund. Optical system: Panavision and HKB-scope.
1993
«Havørn going east» (Havørn i austaveg)
16mm colour. A film documenting a voyage across Russian rivers from the Baltics to Istanbul in a modern replica of the Gokstad Viking ship.
1995
«Sailing» (Seilasen)
35mm Scope, 5 minutes. Short film.
Script, cinematography and director: Hans Kr. Bukholm.
1995
«Svalbard – Arctic seasons»
70mm, Tecnicolor, 23 minutes. Sound: 6 channel surround.
Large format short film / documentary.
Cinematography: Hans Kr. Bukholm. Directed by: Hans Kr. Bukholm & Carl E. Johannesen.
Produced by Bergen filmutvikling / Film Development Bergen & Carlo Productions for Nansensenteret, (The Nansen Center), Bergen, Norway.
2000
«Nordsteam – 2000»
Photo: Hans Kr. Bukholm.
Digital video, 55 minutes. Documentary.
Cinematography: Hans Kr. Bukholm and Helge Sunde.
Edited and directed by: Hans Kr. Bukholm. Produced by Bergen filmutvikling / Film Development Bergen.
2011
«Towards The High North» (Høyt mot nord)
Photo: Thor Iversen.
Reconstruction of a 1939 cinema documentary by the Norwegian maritime researcher Thor Iversen. 35mm B&W, 1 hour 40 minutes.
New Cinema premiere at Bergen Kino (Bergen Cinema) in February 2011.
Cultural history projects
Photo: Hans Kr. Bukholm.
Throughout the years BF have facilitated the collection and registration of numerous hours of footage in 8mm, 16mm and 35mm formats (as well as video footage), all from a wide range of sources. This footage depicts in particular daily life in Western Norway, maritime motifs, ferries, liners and other means of transportation from the period between approx. 1920 to the present day.
For years Hans Kr. Bukholm has, in collaboration with med Øystein Færøyvik, an authority on historical maritime vessels, undertaken comprehensive motion picture and still photography documentation of (wooden) boat building traditions in Norway; especially along the coast from Hordaland to Trøndelag.
2014-2016
Photo exhibition «Havrå – food production – as seen from an 1814 perpective».
Photo: Hans Kr. Bukholm.
Curated by Bergen Filmutvikling / Film Development Bergen in collaboration with Marit Adelsten Jensen / Stiftelsen Havråtunet. (The Havråtunet Foundation).
Travelling exhibition: Galleri Hosanger, Osterøy – Galleri Rustica, Meland – Herdla museum, Askøy.
AWARDS
«Buck Van Raa»
The “Chris plaque award” at the 23rd annual Columbus Film Festival, Ohio, 1975.
«The Graveyard By The Sea»
First prize: “The Golden Galeasse” at the International Film Festival in Stettin, Poland, 1978.
«Svalbard – Arctic Seasons»
- Prize for Best Cinematography at the Milano International Film Festival, 1997.
- Prix de la Marina Nationale, Festival internationale du Film Maritime et dExploration in Toulon, France.
- The Kodak film award, Best cinematographer at the Mountainfilm Festival in Telluride, Colorado – USA, 1998.
- Was invited to be screened at the «Bernhard Happe Memorial Lecture” in London, September 1996. The other film invited was Kenneth Branagh`s “Hamlet“. Technicolor asked to show “Svalbard – Arctic Seasons” «…because of it`s excellent production standards and beautiful screen appearance…».
- Voted the fifth best 70mm short subject film ever made, by the readers of “WIDE Gauge film” and «Video Monthly”, Bradford – England, March 1999.
Joan and Freddie Young with Hans Kr. Bukholm and a representative from Technicolor photographed outside Technicolor in London. The Legendary cinematographer of “Lawrence of Arabia”, “Dr. Zhivago” and “Ryans Daugther” Freddie Young was the first to see a 70mm-print of our Film Svalbard Arctic Seasons. He later wrote in a letter: “..pictorially very impressive…”.